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Sunday, December 27, 2009

Painting Portfolio


“And if their interest wandered, I would tell them, in the end, a love story, about a king called Shantanu and how, on the banks of the great river, he spotted a woman of dazzling beauty. This was of course, none other than the Ganga herself, but the king had no knowledge of this. On the banks of rivers even the most temperate of men lose their heads. King Shantanu fell in love, wholly, madly; he promised the river goddess that he would grant her whatever she wanted, if she chose even to drown her own children he would not stand in her way”
Love flows deep in rivers. With more than 700 rivers and tributaries flowing through the 55,598 square miles of Bangladesh, it is justly called a riverine country. Much of the men’s lives, their joys and sorrows happen around the rivers. The vast waterways flow ceaselessly shaping thousands of lives around them.  The sheer number of colors that float on these river channels is amazing. This portfolio is an attempt to recreate those hues and their alterations with the changing backdrops of sun, rain, wind and storm. Sometimes the subject shifted from the waters towards the land.
I have used experimental pigments in most of these paintings, namely, emulsion color. This is an industrial pigment that is used mainly for coloring walls. That makes it cheap, easily available and very long lasting. It can be used both as water color (commolex background) and oil paint (only it does not require linseed or turpentine). In the others, I used poster paint and a black gel pen for borders and highlights.

Monday, December 7, 2009

All Eat All


A lrb (London Review of Books www.lrb.com) essay. It draws on the various meanings of the term cannibalism, its historical sources, contexts and references. The essay starts with the story of a couple of real life cannibals – Amin Miewes and Bernd Brandis, modern people with decent jobs. The later voluntarily subjects himself to be devoured by the former. This news, the writer uses mostly to draw attention.


The essay is followed by the origins of cannibalism. He mentions Marco Polo's reference of cannibalistic and dog-headed colonies and later assertions of Columbus and Avramescu of such existence. The word, it is suggested, has its origins in 'carib' from Caribbean. There are references of Robinson Crusoe and implications on how colonizers had intentionally coined the 'savages' as cannibals to give meaning to their merciless exploitations.


There is a certain example drawn from Othello which lacked relevance. The essay eventually takes a more passive turn and reflects more on cannibalism's anthropological aspects quoting from and relating to the likes of Rousseau, Locke, Father Labat and Swift's 'Modest Prosposal'.


The ending was quite interesting and more so to me as it relates Freudian (lately my subject of interest) interpretations of greed behavior with cannibalism. It ends with the example of Sweeny Todd the movie and suggests that modern cannibalism is really the corporate greed devouring the common man.


It is probably the alacritous and mellifluous adeptness with which the essay addresses otherwise dry or rather pedantic issues that liked so much.


Also the way the writer seizes the readers' attention with an example that has almost nothing to do with the matter that follows is very noticeable.


Anyone interested to read the essay can follow the link below:

http://www.lrb.co.uk/v31/n15/jenny-diski/all-eat-all